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Iran Zamin Cinema

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Andrej Chovanec

  • Iran Before the 1979 Revolution: Everyone Is Watching
    27. May 2026

    Iran Before the 1979 Revolution: Everyone Is Watching

  • Abbas Kiarostami and the Crisis of Childhood in Pre-Revolutionary Iran
    9. May 2026

    Abbas Kiarostami and the Crisis of Childhood in Pre-Revolutionary Iran

  • Mohammad Ali Talebi and the Transcendental Style in Iranian Cinema
    3. May 2026

    Mohammad Ali Talebi and the Transcendental Style in Iranian Cinema

  • Children of Heaven (1997): Majid Majidi and the Spiritual Imagination of Iranian Cinema
    15. April 2026

    Children of Heaven (1997): Majid Majidi and the Spiritual Imagination of Iranian Cinema

  • It Was Just an Accident (2025): Jafar Panahi’s Divine Comedy of Inner Freedom
    11. February 2026

    It Was Just an Accident (2025): Jafar Panahi’s Divine Comedy of Inner Freedom

  • Jafar Panahi’s 3 Faces (2018): Contemplating the Struggle of Iranian Women
    2. February 2026

    Jafar Panahi’s 3 Faces (2018): Contemplating the Struggle of Iranian Women

  • Downpour (1972): Bahram Beyzaie’s Comedy of Love, Fear, and Power
    28. January 2026

    Downpour (1972): Bahram Beyzaie’s Comedy of Love, Fear, and Power

  • Jafar Panahi’s Hidden (2020): An Exploration of Voice and Resistance
    24. January 2026

    Jafar Panahi’s Hidden (2020): An Exploration of Voice and Resistance

  • 10 Essential Pre-Revolution Movies of the Iranian New Wave
    20. January 2026

    10 Essential Pre-Revolution Movies of the Iranian New Wave

  • The Stranger and the Fog (1974): Bahram Beyzaie’s Fusion of Ritual and Modernism
    18. January 2026

    The Stranger and the Fog (1974): Bahram Beyzaie’s Fusion of Ritual and Modernism

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Iran Zamin Cinema offers a deep insight into the world of Iranian cinema. The blog explores filmmaking both within Iran’s borders and across the broader Persian cultural sphere. It highlights not only the unique aesthetics of Iranian films but also the complex social context in which they are created.

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