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Iran Zamin Cinema

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Deep Focus

  • Jafar Panahi’s 3 Faces (2018): Contemplating the Struggle of Iranian Women
    2. February 2026

    Jafar Panahi’s 3 Faces (2018): Contemplating the Struggle of Iranian Women

  • Downpour (1972): Bahram Beyzaie’s Comedy of Love, Fear, and Power
    28. January 2026

    Downpour (1972): Bahram Beyzaie’s Comedy of Love, Fear, and Power

  • The Cow (1969) by Dariush Mehrjui: Part 2 — Interpreting the Iranian New Wave Film
    10. January 2026

    The Cow (1969) by Dariush Mehrjui: Part 2 — Interpreting the Iranian New Wave Film

  • The Cow (1969) by Dariush Mehrjui: Part 1 — Adaptation and Modernism in Iranian Cinema
    3. January 2026

    The Cow (1969) by Dariush Mehrjui: Part 1 — Adaptation and Modernism in Iranian Cinema

  • In the Shadow of the Cypress (2023): Hossein Molayemi and Shirin Sohani’s Oscar-Winning Animated Short Film
    23. August 2025

    In the Shadow of the Cypress (2023): Hossein Molayemi and Shirin Sohani’s Oscar-Winning Animated Short Film

  • Forugh Farrokhzad’s The House Is Black (1963): The Radical Poetry of Ugliness
    1. August 2025

    Forugh Farrokhzad’s The House Is Black (1963): The Radical Poetry of Ugliness

  • Abbas Kiarostami and Nature: Part 2 — Beauty Is Meaningful
    26. July 2025

    Abbas Kiarostami and Nature: Part 2 — Beauty Is Meaningful

  • Abbas Kiarostami and Nature: Part 1 — The Poetry of Landscape
    21. July 2025

    Abbas Kiarostami and Nature: Part 1 — The Poetry of Landscape

  • Parviz Sayyad’s Dead End (1977): When Paranoia Looks Like Love
    8. July 2025

    Parviz Sayyad’s Dead End (1977): When Paranoia Looks Like Love

Iran Zamin Cinema offers a deep insight into the world of Iranian cinema. The blog explores filmmaking both within Iran’s borders and across the broader Persian cultural sphere. It highlights not only the unique aesthetics of Iranian films but also the complex social context in which they are created.

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