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Andrej Chovanec

  • It Was Just an Accident (2025): Jafar Panahi’s Divine Comedy of Inner Freedom
    11. February 2026

    It Was Just an Accident (2025): Jafar Panahi’s Divine Comedy of Inner Freedom

  • Jafar Panahi’s 3 Faces (2018): Contemplating the Struggle of Iranian Women
    2. February 2026

    Jafar Panahi’s 3 Faces (2018): Contemplating the Struggle of Iranian Women

  • Downpour (1972): Bahram Beyzaie’s Comedy of Love, Fear, and Power
    28. January 2026

    Downpour (1972): Bahram Beyzaie’s Comedy of Love, Fear, and Power

  • Jafar Panahi’s Hidden (2020): An Exploration of Voice and Resistance
    24. January 2026

    Jafar Panahi’s Hidden (2020): An Exploration of Voice and Resistance

  • 10 Essential Pre-Revolution Movies of the Iranian New Wave
    20. January 2026

    10 Essential Pre-Revolution Movies of the Iranian New Wave

  • The Stranger and the Fog (1974): Bahram Beyzaie’s Fusion of Ritual and Modernism
    18. January 2026

    The Stranger and the Fog (1974): Bahram Beyzaie’s Fusion of Ritual and Modernism

  • Pari (2020) by Siamak Etemadi: An Archetypal Journey in Iranian Diaspora Cinema
    16. January 2026

    Pari (2020) by Siamak Etemadi: An Archetypal Journey in Iranian Diaspora Cinema

  • The Cow (1969) by Dariush Mehrjui: Part 2 — Interpreting the Iranian New Wave Film
    10. January 2026

    The Cow (1969) by Dariush Mehrjui: Part 2 — Interpreting the Iranian New Wave Film

  • The Cow (1969) by Dariush Mehrjui: Part 1 — Adaptation and Modernism in Iranian Cinema
    3. January 2026

    The Cow (1969) by Dariush Mehrjui: Part 1 — Adaptation and Modernism in Iranian Cinema

  • Sun Children (2020): Searching for Light in Majid Majidi’s Social Drama
    27. December 2025

    Sun Children (2020): Searching for Light in Majid Majidi’s Social Drama

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Iran Zamin Cinema offers a deep insight into the world of Iranian cinema. The blog explores filmmaking both within Iran’s borders and across the broader Persian cultural sphere. It highlights not only the unique aesthetics of Iranian films but also the complex social context in which they are created.

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